收藏著錄@#@石渠寶笈續編(寧壽宮),第5冊,頁2910@#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁21@#@@#@參考書目@#@陳階晉;〈心追手摹—筆有千秋業展件選介〉,《故宮文物月刊》,第354期(2012年9月份),頁88-97。
@#@@#@內容簡介(中文)@#@張照(一六九一-一七四五),字得天,號涇南、天瓶居士,上海松江人。工詩文,善書畫,官至刑部尚書。書法初學董其昌,中年出入顏、米,擅長行楷書,為清代「館閣體」能手。乾隆初年的御書匾額和書畫題跋,多由他代筆,因而對之評價尤高,稱其書藝甚至超越米芾、董其昌,直追書聖王羲之。此幅楷書節臨〈九成宮醴泉銘〉,用筆俊逸工穩,結體雖小,猶見清麗秀雅的韻致。
(20120713)@#@@#@內容簡介(英文)@#@ Zhang Zhao (style name Detian; sobriquets Jing-nan, Tianping jushi) was native to Songjiang, Shang-hai. Good at poetry, he also excelled at painting and calligraphy, serving as Minister of Justice. In calligraphy he first studied Dong Qichang’s style, in middle years including Yan Zhenqing and Mi Fu’s. Semi-regular script his specialty, he was a gifted “Academic Style” calligrapher. Many imperial writings and early Qianlong art inscriptions were actually by him, so his style was admired. Many claimed it even surpassed Mi Fu and Dong Qichang’s, going back to the Sage Calligrapher, Wang Xizhi. In this excerpt from the Sweet Spring inscription, the brushwork is handsome and steady. The characters, though small, reveal a harmony of pure beauty and elegance.
(20120713)