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明人翰墨 冊 陳繼儒書詞
風雨蕭蕭。牆頭蟋蜶簷頭馬。可憐秋也一束芙容把。小立欄干。醉以黃衫卸。還聊且花捎簾帖。簾動鸚哥打。陳繼儒。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者陳繼儒
- 書體草書
- 裝裱形式冊(摺裝‧方幅式)
- 數量一幅
- 作品語文漢文
- 集叢號-件20
- 集叢號-開10
- 集叢號-幅17
- 集叢號-類型單件
- 典藏尺寸本幅@#@40.3x26.4
- 質地本幅@#@紙
- 印記資料收傳印記@#@麋公@#@@#@收傳印記@#@和鳴韶鈞
- 參考資料收藏著錄@#@石渠寶笈初編（重華宮），下冊，頁717-719@#@@#@收藏著錄@#@故宮書畫錄（卷三），第一冊，頁411-413@#@@#@收藏著錄@#@故宮歷代法書全集，第二十八冊，頁76-117、170-177@#@@#@內容簡介（中文）@#@陳繼儒（西元一五五八－一六三九年），江蘇華亭人，字仲醇，一字眉公，號糜公。天賦多智，少有高才，詩文書畫皆所善長，與同郡董其昌齊名。畫擅水墨梅、竹，山水亦氣韻空遠。董其昌嘗評之：「雖草草潑墨，而一種蒼老之氣，豈落吳下畫師恬俗魔境。」眉公亦自言：「若著色相尚，便與富翁俗僧無異。」@#@@#@內容簡介（英文）@#@Ch’en Chi-ju (style names Chung-ch’un and Mei-kung; sobriquet Mo-kung) was a native of Hua-t’ing, Kiangsu. A gifted scholar of many talents, Ch’en excelled at poetry, writing, calligraphy, and painting, becoming as famous as his contemporary Tung Ch’i-ch’ang. Ch’en specialized in painting plum blossoms and bamboo in monochrome ink. His landscapes also were expansive in feeling. Tung Ch’i-ch’ang once commented that “although he [Ch’en] seemingly splashed ink to impart hoary and archaic energy [to his paintings], how can he be considered inferior to Wu [School] painters and in the realm of empty commonality?” Ch’en Chi-ju himself also once wrote, “If I likewise were to apply colors [to my paintings], they would be no different from those of rich men and common monks [i.e., everybody else].” In this particular work, the style of the calligraphy is very individualistic and in a manner all his own.
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