收藏著錄@#@石渠寶笈初編(重華宮),下冊,頁717-719@#@@#@收藏著錄@#@故宮書畫錄(卷三),第一冊,頁411-413@#@@#@收藏著錄@#@故宮歷代法書全集,第二十八冊,頁76-117、170-177@#@@#@內容簡介(中文)@#@董其昌(西元一五五五-一六三六年),字玄宰,號思白,別號香光居士,松江華亭(今上海松江)人。
本幅選自〈明人翰墨〉冊。原為題跋二則,後一則自述早年書學習晉人,自以為勝於趙孟頫,今年始知趙書之妙。兩則書風略異,前一則結體傾側,運筆渾樸,墨色濃漬多變。後一則結體修長,運筆流動秀邁。此作筆無定跡,於轉折起伏間作線條粗細的變化,質任自然,結字端凝。(20110101)@#@@#@內容簡介(英文)@#@ Dong Qichang, a native of Huating in Songjiang (modern Songjiang, Shanghai), had the style name Xuanzai and sobriquets Sibai and Xiangguang jushi. In this work from the album “Ming Calligraphy” are two colophons. In the latter, Dong stated he had studied works of Jin calligraphers in earlier years, feeling he had surpassed Zhao Mengfu and in that year learning the marvels of Zhao’s manner. The styles of the colophons here differ a little. The former has slightly slanting characters with simple and plain brushwork, the ink tones thick and varied. The latter has more elongated characters, the brush flowing and elegant. The brushwork is not set as lines fluctuate in density in the turns and applications, creating a natural style with solid characters.(20110101)