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宋四家墨寶 冊 宋米芾致彥和國士尺牘
芾頓首啟。經宿。尊候沖勝山。試納文府。且看芭山暫給一視其背。即定交也。少頃勿復言。芾頓。彥和國士。本欲來日送。月明。遂今夕送耳。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者米芾,Mi Fu
- 書體行書
- 裝裱形式冊(蝴蝶裝‧方幅式)
- 數量一幅
- 作品語文漢文
- 集叢號-件14
- 集叢號-開13
- 集叢號-幅14
- 集叢號-類型單件
- 典藏尺寸本幅@#@30.1x42.6
- 質地本幅@#@紙
- 題跋資料題籤@#@宋米元章彥和帖
- 印記資料收傳印記@#@安儀周家珍藏@#@@#@收傳印記@#@心賞@#@@#@收傳印記@#@安氏儀周書畫之章
- 參考資料收藏著錄@#@石渠寶笈續編（養心殿），第二冊，頁1097 @#@@#@收藏著錄@#@故宮書畫錄（第三卷），第一冊，頁141 @#@@#@收藏著錄@#@故宮歷代法書全集，第十一冊，頁4-37、186-193@#@@#@內容簡介（中文）@#@米芾〈西元1051-1107〉，湖北襄陽人。字元章，號鹿門居士、襄陽漫士、米南宮等。為人倜儻不羈，世稱米顛。官至禮部員外郎，忠言彈劾，罷知淮陽軍，翌年卒於淮陽任所。 米芾生平以書自負，自道師承，於古之名蹟無不學。要之，終以二王、顏真卿為骨幹。蘇軾稱其書「邁往凌雲之氣，清雄絕世之文」。黃庭堅跋米書云：「余嘗評元章書，如快劍斫陣，強弩射千里，所當穿徹，書家筆勢，亦窮於此。」@#@@#@內容簡介（中文）@#@米芾(西元1051-1108年)，北宋書畫家、鑑賞家。初名黻，字元章，號鹿門居士、襄陽漫士、海岳外史，自元祐六年(1091年)起，改名芾，祖籍太原(今屬山西)，遷襄陽(今湖北襄樊)，世稱米襄陽，後定居潤州(今江蘇鎮江)。徽宗趙佶召為書畫學博士，官至禮部員外郎，人稱「米南宮」。有潔癖，多畜奇石。嘗於無為州治，見巨石，狀其醜，大喜，巨衣冠拜揖，呼之為「兄」，因舉止狂放，世稱「米顛」。不能與世隨和，故從政數困。能詩文，善書畫，精鑒別，好收藏名迹。行、草書博取前人所長，用筆俊邁豪放，有「風檣陣馬，沉著痛快」之評。@#@@#@內容簡介（中文）@#@米芾（西元一０五一－一一０七年）湖北襄陽人。字元章，號鹿門居士、襄陽漫士、米南宮等。為人倜儻不羈，世稱米顛。行、草書博取前人所長，用筆俊邁豪放，有「風檣陣馬，沉著痛快」之評。 此帖運筆迅速，中鋒運筆，轉折遒勁，露鋒尖利，風骨超逸，氣韻俊邁豪放而瀟灑自如，將沈著痛快的米家書法特色表露無遺。選自《宋四家墨寶冊》第十四開。(20091015) @#@@#@內容簡介（中文）@#@米芾（西元一０五一－一一０七年）湖北襄陽人。字元章，號鹿門居士、襄陽漫士、米南宮等。為人倜儻不羈，世稱米顛。行、草書博取前人所長，用筆俊邁豪放，有「風檣陣馬，沉著痛快」之評。此帖運筆迅速，中鋒運筆，轉折遒勁，露鋒尖利，風骨超逸，氣韻俊邁豪放而瀟灑自如，將沈著痛快的米家書法特色表露無遺。選自《宋四家墨寶冊》第十四開。(20110913)@#@@#@內容簡介（英文）@#@Mi Fu (style name Yuanzhang; sobriquets Lumen jushi, Xiangyang manshi, and Mi Nangong), a native of Xiangyang in Hubei, was unconventional and unbridled by nature, which is why he was also called “Eccentric Mi.” In running and cursive scripts, he adopted widely from the manners of the ancients. His brushwork was handsome and unrestrained like “Masts in wind and horses in front, steady yet overflowing.” The brushwork in this letter is swift and reveals the use of a centered tip. The twists and turns are powerful and the tip sharp when exposed, making for a free and natural style. The manner is handsome and unrestrained with great elegance in a smooth and fluid way, clearly revealing Mi Fu’s overflowing manner. This is the fourteenth leaf from the album “Ink Treasures by the Four Song Masters.”(20110913)@#@@#@內容簡介（英文）@#@ Mi Fu (native of Xiangyang, Hubei; style name Yuanzhang, sobriquets Lumen jushi, Xiangyang manshi, and Mi Nangong) was unconventional and unbridled, so he was also called “Eccentric Mi.” In running and cursive scripts, he adopted widely from the ancients. His brushwork was handsome and unrestrained like “Masts in wind and horses in front, steady yet overflowing.” The brushwork here is swift and reveals a centered tip. The twists and turns are powerful and the tip sharp when exposed, making for a free and natural style. The manner is handsome and unrestrained with great elegance in a smooth and fluid way, clearly revealing Mi Fu’s overflowing manner. This is the 14th leaf from the album “Ink Treasures by the Four Song Masters.” (20091015)@#@@#@內容簡介（英文）@#@Mi Fu, a native of Hsiang-yang in Hupei, is often referred to by his style name Yuan-chang or one of his many sobriquets, Lu-men chu-shih, Hsiang-yang man-shih, Mi Nan-kung. His eccentric and caustic personality caused him to earn the nickname Crazy Mi. By virtue of his distinctive genius, he held many high government posts. Mi Fu devoted his lift to the study of calligraphy. He learned from all the great masters of the past, particularly the two Wangs of the Chin period and the T'ang master Yen Chen-ch'ing.
- 地圖
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