收藏著錄@#@石渠寶笈初編(養心殿),頁483@#@@#@收藏著錄@#@故宮書畫錄(卷三),第一冊,頁41-42@#@@#@內容簡介(中文)@#@趙孟頫(西元一二五四-一三二二年),湖州人。字子昂,號松雪道人。宋宗室後裔,入元後仕至翰林學士承旨。工書善畫,冠絕一時。其行書直追二王,深得晉人風範神韻,為元代書壇領袖。
此帖體勢清新俊逸,行筆圓韻流暢,以溫潤宛轉見神,具有瀟灑秀逸之美。選自「趙孟頫尺牘詩翰」冊。
@#@@#@內容簡介(英文)@#@Chao Meng-fu, a native of Hu-chou, was a scion of the Sung imperial family who served in the following Yuan dynasty as a Hanlin Academician. He excelled at both painting and calligraphy, being a leader in both at the time. His running script follows after the Two Wangs and is deep in the spirit harmony of Chin calligraohers. He had a major influence in later painting and calligraphy.
The force of this work is clear and free as the running script here has a rounded harmony and flowing spirit to it. With a sense of warmth to the ink and softness to the features, we see the beauty of his easy-going and elegant style. This is from the album Poetry and Letters by Chao Meng-fu.