收藏著錄@#@石渠寶笈三編(延春閣),第三冊,頁1480-1483@#@@#@收藏著錄@#@故宮書畫錄(卷三),第一冊,頁22-25@#@@#@收藏著錄@#@故宮歷代法書全集,第十冊,頁138-157、208-210@#@@#@參考書目@#@1.王競雄,〈頓首上啟明善尺牘〉,收入何傳馨主編,《文藝紹興:南宋藝術與文化‧書畫卷》(臺北:國立故宮博物院,2010年十月初版一刷),頁378。@#@@#@參考書目@#@何傳馨,〈宋吳說尺牘 冊 說頓首上啟尺牘〉,收入《文藝紹興-南宋藝術與文化‧書畫卷》(臺北:國立故宮博物院,2010.10),頁258-259、378。@#@@#@內容簡介(中文)@#@吳說(?-1169以後)字傅朋,號練塘,浙江杭州人。父親吳詩禮喜好收藏,以詩文書法見稱於時。吳說頗能傳緒家學,對於書法的探索尤其深入,隸書、小楷書、行草書和游絲書均有可觀,所作榜書曾讓宋高宗歎為觀止,以為難以取代。此件手札寫與宗正寺主簿明善,談及彼此工作情形,書法猶然晉人韻度,是知當蘇、黃、米書風盛行之際,傳統古風仍為時人取擇的方向。 (20101015)@#@@#@內容簡介(英文)@#@ Wu Yue (style name Fupeng, sobriquet Liantang) was a native of Hangzhou, Zhejiang. His father Wu Shili was fond of collecting and renowned at the time for his literary arts and calligraphy. Wu Yue was also quite gifted in the family tradition, particularly exploring and delving into calligraphy, achieving considerable results in clerical, small regular, and semi-cursive scripts as well as “silk-strand” calligraphy. The announcement lists that Wu wrote were even admired by Emperor Gaozong, who found them difficult to substitute.
This letter was written to the Recorder for the Court of the Imperial Clan, named Mingshan, briefly discussing a recent situation with work. The writing is similar to the harmony of Jin calligraphers of old. Thus, despite the popularity of the styles of such Northern Song calligraphers as Su Shi, Huang Tingjian, and Mi Fu, the traditional ancient manners were still a direction being pursued by calligraphers at the time.(20101015)