收藏著錄@#@石渠寶笈三編(延春閣),第六冊,頁2698@#@@#@收藏著錄@#@故宮書畫錄(卷一),第一冊,頁148-152@#@@#@內容簡介(中文)@#@虞集(西元一二七二-一三四八年),四川仁壽人。字伯生,虞允文五世孫。大德(一二九七-一三0六年)初,授大都路儒學教授,屢遷至奎章閣學士,封仁壽郡公。集學問博給,早歲闢二室讀書,左室書陶淵明詩於壁,題曰陶庵,右室書紹堯夫詩,題曰邵庵,故世稱邵庵先生。書史稱其書真、行、草、篆皆有法度,古隸為當代第一。
本幅行書尺牘,結字偏長,行筆秀健,近唐大家虞世南之風。虞集傳世墨跡極少,此牘彌足珍貴。
@#@@#@內容簡介(中文)@#@虞集(西元一二七二-一三四八年),字伯生,號邵庵,四川仁壽人,虞允文五世孫。成宗大德六年(一三0二),授大都路儒學教授,文宗天曆元年(一三二八)官至奎章閣侍書學士,封仁壽郡公。書史稱其真、行、草、篆皆有法度,古隸為當代第一。虞集傳世墨跡極少,本幅行書致吳郡友人,談及至順初(一三三0)書「蔣山寺碑」事蹟,雍容秀健,顯現晉唐人典雅的風度。
(20121017)@#@@#@內容簡介(英文)@#@ Yu Ji (style name Bosheng, sobriquet Shao’an) was a native of Renshou, Sichuan, and a fifth-generation descendant of Yu Yunwen. In 1203 he was appointed as Instructor at the Confucian School in the Dadu Circuit and served as Calligrapher-Academician of the Kuizhang Pavilion, being enfoeffed as Duke of Renshou. Calligraphy histories state that his regular, running, cursive, and seal scripts all followed the norms, his archaic clerical ranked first in his day. Very few of Yu Ji’s calligraphic works have survived. This letter in running script was written to a friend in Wu and discusses the matter of the “Jiangshan Temple Stele” written in 1330. Composed yet elegant, the calligraphy reveals classic Jin and Tang dynasty manners.
(20121017)@#@@#@內容簡介(英文)@#@Yu Chi (style name Po-sheng) was a native of Jen-shou, Szechwan, and a fifth generation descendent of Yu Yun-wen. In the beginning of the Ta-te era (1297-1306), he was a professor in a Metropolitan Route Command Confucian school and was later on transferred to be an Academician in the Hall of Literature. He was also enfeoffed as Commandery Duke of Jen-shou. Vastly knowledgeable, Yu constructed two studying rooms in his early years. In the right room he wrote T’ao Yuan-ming poems on the wall; therrfore, it was called T’ao-an. In the left room Yu wrote Shao Yao-fu poems on the wall; thus it was called Shao-an. Calligraphy histories record that his standard, semi-cursive, cursive, and seal scripts all followed principles of calligraphy. His clerical script was ranked as the first of his time.
This letter is in the semi-cursive script. The slightly long form of the characters and elegant and vigorous brushwork closely resemble the calligraphy style of the T’ang master Yu Shih-nan (558-638). There are few extant works by Yu, making this letter a valuable treasure.