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元張雨書唐人絕句 軸
絕頂新秋生夜涼。鶴翻松露濕衣裳。前村月照半江水。僧在翠微開竹房。大元至正辛巳（西元1341年）。張雨。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者張雨,Zhang Yu (1283-1350)
- 書體行書
- 裝裱形式軸
- 創作時間大元至正辛巳（西元1341年）
- 數量一軸
- 作品語文漢文
- 集叢號-類型單件
- 典藏尺寸本幅@#@154.3x34.3@#@@#@全幅@#@280x59
- 質地本幅@#@紙
- 題跋資料作者款識@#@張雨@#@本幅@#@大元至正辛巳（西元1341年）。張雨。@#@行書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@鑑藏寶璽@#@宣統鑑賞@#@@#@鑑藏寶璽@#@無逸齋精鑑璽@#@@#@收傳印記@#@張丑之印@#@@#@收傳印記@#@安儀周家珍藏@#@@#@收傳印記@#@見易子珍藏記@#@@#@收傳印記@#@見易圖書@#@@#@收傳印記@#@子安珍藏記@#@@#@收傳印記@#@吉父@#@@#@收傳印記@#@范氏克昌
- 參考資料收藏著錄@#@石渠寶笈三編（延春閣），第四冊，頁1681@#@@#@收藏著錄@#@故宮書畫錄（卷二），第一冊，頁3@#@@#@內容簡介（中文）@#@張雨（西元一二八三－一三五０年），字伯雨，號句曲外史，浙江錢塘人。元代著名的道教人物。文才清麗，書畫清逸，倪瓚稱其詩文字畫為「道品第一」。 通幅書作，運筆放縱，流轉自如，勁健灑脫，用墨濃時而枯，淋漓痛快。結體圓實，行筆瀟灑之處，可看出早年學趙孟頫的跡象。(20091015) @#@@#@內容簡介（中文）@#@張雨（西元一二八三－一三五○年），字伯雨，號句曲外史，浙江錢塘人。元代著名的道教人物。文才清麗，書畫清逸，倪瓚稱其詩文字畫為「道品第一」。 本幅行書，文云：「絕頂新秋生夜涼，鶴翻松露濕衣裳；前村月照半江水，僧在翠微開竹房。大元至正辛巳（一三四一）。張雨。」運筆放縱，流轉自如，勁健灑脫，用墨濃，時而枯，淋漓痛快。結體圓實，行筆瀟灑之處，仍見早年學趙孟頫的跡象。@#@@#@內容簡介（英文）@#@Zhang Yu (style name Boyu, sobriquet Juqu waishi) was a native of Qiantang, Zhejiang. A famous Daoist of the Yuan dynasty, his literary talent was pure and elegant. His painting and calligraphy was refined and lofty, Zhang’s contemporary Ni Zan praising his art as “First in the Daoist category.” Throughout this work of seven-character lines of poetry calligraphed by Zhang Yu in 1341, the running script appears unbridled, flowing and naturally turning with both strength and ease. The ink is at times dry, but also moist and fluid at others. The characters are rounded and solid, the running brushwork unrestrained in places, revealing Zhang Yu’s study of Zhao Mengfu’s (1254-1322) style from his earlier years.@#@@#@內容簡介（英文）@#@ Zhang Yu (style name Boyu, sobriquet Juqu waishi) was a native of Qiantang, Zhejiang. A famous Daoist of the Yuan dynasty, his literary talent was pure and elegant, and his painting and calligraphy refined and lofty, his contemporary Ni Zan praising his art as “First in the Daoist category.” Throughout this work by Zhang Yu, the brush movement is unbridled, flowing and turning naturally with both strength and ease. The ink is at times dry, but it is also moist and fluid at others. The characters are rounded and solid, the running brushwork unrestrained in places to reveal Zhang’s study of Zhao Mengfu’s (1254-1322) style in his earlier years.(20091015)
- 地圖
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