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唐釋懷素小草千字文 卷
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者懷素
- 數量一幅
- 集叢號-類型單件
- 典藏尺寸本幅@#@28.8x300.2
- 質地本幅@#@絹
- 參考資料參考書目@#@1.翁同文，〈懷素生年二說及其名下千字文二本問題〉，《東吳大學中國藝術史集刊》，第二卷(1973年11月)，頁39-49。 @#@@#@內容簡介（中文）@#@本卷字距行間寬舒從容，並無強烈突放驟收的變化，字的結體緊密而有變化，展現的書風淳雅，筆法是「折釵股、屋漏痕」的典範，這是懷素脫去狂怪怒張之習，趨於平淡古雅的晚年作風。晉唐古書畫，存世比對困難，鑑識上常會見仁見智，惟本卷存有宋徽宗收藏印，且見之於《宣和書譜》著錄，是北宋早已存在的名品。(20081012)@#@@#@內容簡介（英文）@#@The character and line spacing in this handscroll is spacious and relaxed, the characters lacking sudden or dramatic changes to their vertical or horizontal relationships. The characters themselves are dense and varied, revealing a pure and refined calligraphic style. The brush methods follow the tradition of strokes likened to “bent hairpins and drip lines,” in which Huai-su broke away from expressions of wildness and emotion, tending more towards a plain and archaic elegance in his older years. Ancient works of Chin and T’ang painting and calligraphy are rare today, with many different opinions regarding them. This work, however, bears the collection seals of Emperor Hui-tsung’s (r. 1100-1125) court and was recorded in his Hsuan-ho Calligraphy Catalogue, making it a masterpiece recorded as early as the Northern Sung period. (20081012)
- 地圖
引用資訊
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