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清惲壽平花果遊魚山水集錦冊
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 集叢號-類型單件
- 參考資料內容簡介（中文）@#@惲壽平（西元一六三三—一六九○年），本名格，字壽平，後以字行，再改字正叔，別號南田、白雲外史，畫花卉，以北宋徐崇嗣的沒骨法為依歸，別開生面，有常州派之稱。 此冊係蘭千山館寄存，計十二開，分別畫荷花、紫藤、枇杷等。本冊中畫花果多以寫意或沒骨法為之，設色典雅，清新脫俗，與惲壽平之作頗為神似。根據幅上的款識與作所鈐者印記，此冊似亦出自惲壽平之手，然款書略顯生硬，疑為後人臨仿之作。 @#@@#@內容簡介（英文）@#@Yun Shouping, originally named Ge, had the style name Shouping, by which he later went. He then changed his style name to Zhengshu. He also had the sobriquets Nantian and Baiyun waishi. In flower painting, he followed the “boneless” ink wash method of the Northern Song artist Xu Chongsi, developing his own manner in what became known as the Changzhou School. This album, entrusted to the National Palace Museum from the Lanqian shanguan collection, features twelve leaves depicting such plants and trees as the lotus, wisteria, and loquat. The subjects in this album were mostly done in the “sketching ideas” or “boneless” methods. The coloring is classically elegant as well as pure and refined, making it quite similar to the works of Yun Shouping. The inscription contents and seal impressions on the work also suggest that this album comes from the hand of Yun Shouping, but the calligraphy of the signature is slightly stiff, perhaps appearing to be an imitation by a later hand.
- 地圖
引用資訊
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