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明藍瑛荷花 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 集叢號-類型單件
- 參考資料內容簡介（中文）@#@ 藍瑛（西元一五八五—一六六四年或約一六六六年），錢塘（今浙江杭州）人。字田叔，號蝶叟、西湖研民、東郭老農等。工書善畫，其山水宗法宋元，尤好研習黃公望，但能自成一家，又兼長花鳥、梅竹。 本幅為蘭千山館寄存，畫奇石、荷花，設色雅淡，逸筆草草，秀潤雋雅。自識仿王淵法畫荷，以吳鎮法畫石，可是此幀的荷花以寫意法為之，與元代王淵的工筆花鳥相去甚遠。 @#@@#@內容簡介（英文）@#@Lan Ying, a native of Qiantang (modern Hangzhou, Zhejiang), went by the style name Tianshu and the sobriquets Diesou, Xihu yanmin, and Dongguo laonong. Good at calligraphy and excelling at painting, his landscapes follow those of the Song and Yuan masters, especially taking after Huang Gongwang’s. He nonetheless formed his own style and also excelled at bird-and-flower as well as plum-blossom-and-bamboo subjects. This painting, entrusted to the National Palace Museum from the Lanqian shanguan collection, depicts an ornamental rock and lotus blossom combination in elegantly light colors using cursive and untrammeled brushwork that is beautiful and refined. Lan Ying’s signature indicates he was imitating the lotus painting of Wang Yuan to which he added the rock after Wu Zhen. The lotus here, however, is done in the sketching-ideas manner, which is quite removed from the fine-line bird-and-flower painting of the Yuan artist Wang Yuan.
- 地圖
引用資訊
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