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明陳淳菊石 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 集叢號-類型單件
- 參考資料內容簡介（中文）@#@本幅畫一叢菊花、數芉竹枝，倚石而生。依據幅上作者的款題，此乃陳淳於嘉靖己亥（西元一五三九年）之作。菊花的葉片直接以墨敷染，再鈎勒葉片的筋脈，復以墨筆鈎畫菊花的花瓣，這種鈎花點葉的畫法的確與陳淳（一四八三—一五四四）的花卉畫有些神似，然全作筆墨板滯，疑為後代偽託之作。 陳淳，江蘇蘇州人。字道復，後以字行，號白陽山人。擅畫寫意花卉，為明代中期吳派寫意花卉的代表畫家。 @#@@#@內容簡介（英文）@#@This painting, entrusted to the National Palace Museum from the Lanqian shanguan collection, depicts a cluster of chrysanthemums along with several stalks of bamboo growing beside a rock. Based on the artist’s signature, this work is dated to the equivalent of 1539. The chrysanthemum leaves were done directly with washes of ink and then lines added for the veins. Strokes of ink were then used to outline the petals of the chrysanthemum blossoms. This technique of outlining blossoms and dabbing leaves indeed is similar to the flower painting of Chen Chun, but the painting here features stiffer brushwork, suggesting the work of a later artist to which Chen’s name was added. Chen Chun, a native of Suzhou in Jiangsu, had the style name Daofu and later went by it, also taking the sobriquet Baiyang shanren. He excelled at painting flowers in the sketching-ideas manner, becoming a representative “sketching-ideas” painter of flowers in the Wu School during the middle Ming period.
- 地圖
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