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唐戴嵩鬥牛圖 卷

基本資訊

  • 作者
    戴嵩
  • 色彩
    淺設色
  • 裝裱形式
  • 數量
    一卷
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@45x47.9@#@@#@隔水一@#@16.7@#@@#@隔水二@#@16.7
  • 質地
    本幅@#@紙
  • 題跋資料
    作者款識@#@戴嵩@#@本幅@#@臣戴嵩進@#@楷書@#@@#@題跋@#@清高宗@#@本幅@#@乾隆御題@#@行書@#@角尖項強力相持。蹴踏騰轟各出奇。想是牧童指點後。股間微露尾垂垂。乾隆御題。@#@@#@題跋@#@清高宗@#@本幅@#@辛丑冬再題@#@行書@#@牧童遊戲何處去。獨放雙牛鬬角叉。畫跋曾經闢畫錄。錄誠差跋更為差。辛丑(西元一七八一年)冬再題。@#@@#@題跋@#@清高宗@#@隔水二@#@三希堂再識@#@行書@#@按廣川畫跋舉畫錄謂。牛與牧童點晴圜明。對照見形容著目中。牛與童子之形大小可知。眸子點墨不過脫殼。安能作人牛形云云。其意以為畫錄所云。似指牛目中畫童子形。童子目中畫牛形。如是則畫錄未為失。而畫跋乃誠失之遠矣。蓋畫錄所云。乃謂牧童與牛。彼此有相顧之情。見於目中耳。豈謂目中畫牛與童子之形哉。向題毛益牧牛圖。有脫殼。安能容對照之句。引而未發。茲故申而論之。三希堂再識。
  • 印記資料
    鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@樂壽堂鑑藏寶@#@@#@鑑藏寶璽@#@古希天子@#@@#@鑑藏寶璽@#@壽@#@@#@鑑藏寶璽@#@八徵耄念之寶@#@@#@收傳印記@#@天籟閣@#@@#@收傳印記@#@寄敖@#@@#@收傳印記@#@項墨林鑑賞法書名畫@#@@#@收傳印記@#@子孫世昌@#@@#@收傳印記@#@項墨林父祕笈之印@#@@#@收傳印記@#@項墨林鑑賞章@#@@#@收傳印記@#@退密@#@@#@收傳印記@#@神@#@@#@收傳印記@#@品@#@@#@收傳印記@#@項叔子@#@@#@收傳印記@#@神游心賞@#@@#@收傳印記@#@項子京家珍藏
  • 主題
    主要主題@#@走獸@#@牛@#@二牛相鬥
  • 參考資料
    收藏著錄@#@盛京故宮書畫錄(卷一),第一冊,頁23@#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁173@#@@#@收藏著錄@#@故宮書畫圖錄,第十五冊,頁85-86@#@@#@內容簡介(中文)@#@戴嵩(約西元八世紀)最初學畫時,以韓滉為師。畫牛有青出於藍的聲譽,又擅長於農家風景。他的弟弟戴嶧也以畫牛而聞名。 畫兩牛相鬥,一頭牛用角觝觸,另一牛卻旋轉著身子,好像雖敗而欲再迎戰。依「事物紀原」(明高承撰),鬥牛之俗始於秦。此幅畫牛,身驅頗為健壯,大有蠻勁足以力仆萬人之慨。從其畫風觀之,此作或屬明中期以前輾轉流傳的摹本。 @#@@#@內容簡介(英文)@#@Tai Sung began his studies of painting under the artist Han Huang (723-787). Tai was thus able to excel at depicting the subtleties of the features of oxen. Tai also excelled at depicting the scenery of rustic life. Tai Sung and his younger brother (Tai I) achieved fame as experts in ox painting. This painting portrays two oxen engaged in battle. One, with head raised, seeks to escape, while the other ferociously charges, ready to gorge its opponent. No setting is provided in the painting, making the oxen appear as if ready to leap from the surface. According to the Ming dynasty (1368-1644) encyclopedia by Kao Ch'eng, The Origin of Things (Shih-wu chi-yuan), the custom of allowing two oxen to engage in a fight dates back to the Ch'in dynasty (255-206 BC). The oxen in this painting appear particularly powerful. Judging from the style of this work, it appears to be a copy dating to sometime before the middle of the Ming dynasty.
  • 地圖

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