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清鄭簠隸書 軸
綺陌晴（晴字點去）塵香曙色分。碧如山畫（應作碧山如畫）又逢君。蛟藏秋月一片水。驥瑣晴空尺千雲（應作千尺雲）。戚里舊知何駙馬。詩家今得鮑參軍。陽龢本是煙霄曲。須向華間次第聞。（八分書）。楊巨源酧于駙馬。壬戌（西元一六八二年）竹醉後一日書。谷口鄭簠。（行草書）。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者鄭簠
- 書體隸書
- 裝裱形式軸
- 創作時間清聖祖康熙二十一年（1682）
- 數量一軸
- 作品語文漢文
- 集叢號-類型單件
- 典藏尺寸本幅@#@181.5x120.3
- 質地本幅@#@紙
- 印記資料作者印記@#@鄭簠之印@#@@#@作者印記@#@谷口農@#@@#@鑑藏寶璽@#@乾隆御覽之寶
- 參考資料收藏著錄@#@盛京故宮書畫錄，第五冊，頁20@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁171@#@@#@內容簡介（中文）@#@鄭簠（西元一六二二―一六九四年），江蘇上元人。字汝器，號谷口。弱冠即學隸書，後來自覺去古漸遠，於是直接師法漢碑，益得樸拙奇古之妙。細觀此書，筆墨圓潤，運筆起伏，波撇誇張，筆法結字亦變化多端。通篇筆勢行氣連貫，縱橫俯仰，極具氣韻飛揚之勢。 @#@@#@內容簡介（英文）@#@Cheng Fu (style name Ju-ch’i; sobriquet Ku-k’ou) was a native of Shang-yuan, Kiangsu. He studied the clerical script in his youth. Later he came to realize that the clerical script of his time departed from the clerical script of the ancients in spirit. Thereafter he learned directly after the calligraphy of Han steles and stone inscriptions and eventutally created a simple yet unique, naive yet archaic style totally of his own. Looking closely at this calligraphy, one can see round and moist brushwork, with exaggerated fluctuations and many variations in the strokes and the structure of the characters. The strength of the brushstrokes and the rhythm between lines can be seen throughout this entire piece. The horizontal and vertical strokes are executed with great vigor. This work is full of vivacious and dynamic spirit.
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