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明文徵明草書七言詩 軸
三月韶華過雨濃。煖蒸花氣日溶溶。菜畦麥隴青黃接。雲岫烟巒紫翠重。一片垂楊春水渡。兩崖啼鳥夕陽松。晚風吹酒籃輿倦。忽聽天平寺裡鐘。徵明。
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- 典藏尺寸本幅@#@198.4x96.9
- 質地本幅@#@絹
- 印記資料作者印記@#@文徵明印@#@@#@作者印記@#@徵仲@#@@#@作者印記@#@停雲@#@@#@鑑藏寶璽@#@乾隆御覽之寶
- 參考資料收藏著錄@#@盛京書畫錄，第五冊，頁12@#@@#@收藏著錄@#@故宮書畫錄（卷二），第一冊，頁11@#@@#@參考書目@#@1.何傳馨，〈明文徵明草書七言詩〉，收入何傳馨編，《書法之美特展圖錄》（臺北：國立故宮博物院，1992年五月初版一刷），頁85-86。 @#@@#@內容簡介（中文）@#@文徵明（西元一四七0－一五五九年），江蘇長洲人。字徵仲，號衡山居士。五十四歲以歲貢到北京，任翰林院待詔，參與撰寫﹝武宗實錄﹞，後來厭倦京師生活，回到故里，專意藝事，年九十卒。他在詩文和書畫方面都有很高的造詣，是明代中葉蘇州畫壇的領袖。 文徵明善各體書，行、草宗王羲之傳統，學黃庭堅、趙孟頫。本幅大字行草，是本色書，用筆勁健流暢，氣勢通貫全幅。詩句提到太平山寺，應是描寫暮春三月，遊覽蘇州城郊所見。 @#@@#@內容簡介（英文）@#@Wen Cheng-ming (style name Cheng-chug, sobriquet Heng-shan chu-shih) was a native of Ch’ang-chou, Kiangsu provice. When he was fifty-three, he went to Peking to serve as an academician in the Hanlin Academy and participated in the compilation of the Veritable Records of the Emperor Wu-tsung. Afterwards, he grew disillusioned with his official lifestyle in Peking, returned to his hometown, and took up the life of a literatus. Living to the age of eighty-nine, he excelled as a poet, essayist, calligrapher, and artist, and became a leader in the artistic community of Suchou during the middle Ming period. Wen Cheng-ming was a calligrapher skilled in all script types. For running or semi-cursive and cursive scripts, he followed the tradition of Wang Hsi-chih and studied Huang T’ing-chien and Chao Meng-fu. In this hanging scroll, he has written large characters in running cursive calligraphy, fully revealing his own style. The brushwork is strong, tensile, and fluid, and a kind of energy permeates the entire work. In the poem, he mentions a monastery on Mt. T’ai-p’ing which he probably saw in the environs of Suchou during late spring.
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